Vocal Microphone System
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 Sennheiser EW145 G3 Wireless Vocal Mic System B Band  US $649.95
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 Sennheiser EW145 G3 Wireless Vocal Mic System A Band US $649.95
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 Sennheiser EW145 G3 Wireless Vocal Mic System G Band US $649.95
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 Sennheiser EW135P G3 Wireless Vocal Mic System A Band US $599.95
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 Sennheiser EW135P G3 Wireless Vocal Mic System G Band US $599.95
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 Sennheiser EW135P G3 Wireless Vocal Mic System B Band US $599.95
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 AKG WMS 450 D5 Vocal Set Wireless Mic System Band 7 NEW US $399.00
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 AKG WMS 450 D5 Vocal Set Wireless Microphone System US $399.00
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 AKG WMS 450 D5 Vocal Set Wireless Mic System Band 1 NEW US $399.00
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 Shure PG24 PG58 Wireless Vocal Microphone Mic System M7 PG24PG58M7 US $344.95
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A Brief Look At Shure KSM44 Review
A Short Shure KSM44 Microphone Review
The Shure KSM44 is a multi-pattern external biased microphone with low self noise. It is a bi-directional, omnidirectional and cardioids dual large diaphragm condenser mic. Specs are ideal for studio recording musicians that meet the highest standards of the most critical recording artists. It is developed to deliver warm, vivid, voice recordings.
It is also capable of delivering good instrumental acoustic recordings and amplified musical instrument sound. You will not have a problem recording loud high SPL sound from amplified guitar sounds or drums. The mic is very thin at only an inch thick. It has 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragms that provide instant response.
The KSM 44 is a transformerless mic that has a preamplifier. It records without crossover distortion or reducing harmony. The mics frequency responds to 20 Hz to 20 Khz for clear voice, acoustic or music recording. The gold components inside the mic enhance the quality performance of the mic.
A subsonic filter system eliminates any rumbling sound or vibration noise from the recording. You can switch to a lower frequency recording to screen out background noise you do not want included in the recording. The microphone is durable and tough, partly because of the zinc die cast external casing. The shock mount protects the microphone from drops and improper handling.
A three stage pop grille protects the microphone and prevents the microphone from picking up sounds from wind or breathing. It has an even polar response that produces crisp sounds from vocals and instrumental sound. It is also able to block frequency interruptions from interfering with your recording.
The microphone is delivered with color coded elastic suspension anti-shock mount, a swiveling mount, and aluminum case. It is wrapped inside a velvet pouch to prevent scratch marks on the device. It can be carried in a locked case. It is the best microphone for recording solo vocals, voice-overs and background vocals. It is also ideal for recording all types of music instruments.
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R.I.P. King Stitt, Reggae Legend... (The Daily Swarm)
Jamaica Observer:
> LEGENDARY Jamaican vocalist King Stitt is dead. King Stitt, whose real name
is Winston Sparkes, passed away at his home in Nannyville, Kingston minutes
after 1 this afternoon. He had been ailing for some time.
>
> King Stitt can be described as one of the pioneers of the deejay idiom as
his voice was a regular feature in the late 1960s over Sir Coxsone Dodd's
Downbeat Sound System during the infancy of the now famous Reggae music…
Dangerous Minds has a great little biography:
> It can hardly be said that Jamaican microphone man King Stitt, who died
today at the age of 71, was a conventional pin-up boy in his time. In fact the
man was a bit of a physical mess due to a facial deformity with which he was
born. But he made the absolute best of it. Stitt nicknamed himself The Ugly
One (inspired by the spaghetti western The Good, The Bad and the Ugly). He
then proceeded to help shape the MC tradition in reggae over the next 50-plus
years, and inspire less-than-handsome rhymers (like albino MCs Yellowman,
Mellow Yellow and Purpleman) to pick up the mic ...
Sennheiser EW135-G2 Wireless Vocal Microphone System
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